[1]
W. Albuquerque, «CONTEMPLATIVE POSTMODERN MELANCHOLY: SOLITUDE IN GHOST DOG (1999), ONLY LOVERS LEFT ALIVE (2013), AND PATERSON (2016)», RECOCINE, vol. 3, n.º 2, pp. 59–75, sep. 2025, doi: 10.63418/75t15q64.